aiko – milk / 嘆きのキス [25th Single]

February 20, 2009 at 11:33 pm (aiko) (, )


aiko’s 25th single, entitled milk / 嘆きのキス, was released on 02.18.09. 嘆きのキス was used as the theme song for Final Fantasy Crystal Chronicles: Echoes Of Time.

milk is loveable uptempo number that aiko brings to life. Opening the song is a sweet upbeat instrumentation, highlighted by the sounds of the piano. Then as it goes on, a more jazzy and magical feeling comes through, really catching the listener’s ear. She comes in on the first verse and her vocals are wonderful as usual, perfectly supporting the sweet atmosphere established by the song. The parts where she vocalizes sound really nice and give the song that extra flavor. There is such a cute energy on the chorus that the listener can’t resist, which makes that section really stand out. She holds that last note very well and it leads the listener out wonderfully. The pure instrumental section sounds very enjoyable and puts a spotlight on how addictive the music really is. milk is an amazing upbeat song that shows off aiko’s personality for everyone to see.

On the other hand, 嘆きのキス slows down the tempo for the listener. The song begins with a very natural instrumental that sounds perfectly “aiko.” Then aiko sings the first verse and her vocals are pretty as always, going well with the music in establishing a certain soft and longing feeling. On the chorus, her vocals reach a little bit higher and the instrumentation compliments them to give even more magic to the song. As usual, the pure instrumentation is wonderful and the simplicity works in aiko’s favor with the focus being put on the piano and there’s something so pretty about that one section that really touches the listener’s heartstrings. 嘆きのキス is an absolutely beautiful song that is the perfect compliment to milk.

なんて一日 is the single’s B-side. The tempo is brought back up as seen through the opening instrumentation. On the first verse, aiko provides vocals that have a certain cuteness to them, going with the music quite nicely. She sounds nice on the chorus although it feels a little lacking, especially in comparison to the amazingness that is milk. It’s not as good as the A-sides but it’s still an enjoyable number that is a nice touch to this single.

In order to promote the single, a PV for milk was made. The video is very simple but it’s that simplicity that makes aiko shine. There is something very naturally beautiful about aiko and this video is a perfect reflection of that. Scenes include aiko singing on a stage with her band playing along as well as aiko walking around and singing, looking very cute. She shows so much sweetness in this video that you can’t help but love aiko.

A PV for 嘆きのキス was also made. The video is even simpler than the one for milk, just featuring aiko singing on a beach. There are scenes of her standing and of her playing the piano and the simplicity of the video definitely matches the simple beauty of the song.

Single Ranking: A

Once again, aiko shows us why she has stayed in the industry as long as she has. milk is a magnificent upbeat number which will leave the listener smiling while 嘆きのキス will touch the listeners’ soft spot in their heart. Both songs are amazing and they continue aiko’s streak of memorable songs.

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[Part Six] Oricon Year 2008 Top PVs

December 12, 2008 at 10:06 pm (AAA, aiko, alan, Amuro Namie, Arashi, ayaka, BoA, C-ute, DOUBLE, Hamasaki Ayumi, Hey! Say! JUMP, Ishida Yuko, Ito Yuna, Jyongri, Kobukuro, Koda Kumi, Leah Dizon, Morning Musume, NEWS, Nishino Kana, Otsuka Ai, Perfume, Shiraishi Kikyo, Suzuki Ami, Tanimura Nana, Tohoshinki, Utada Hikaru) (, , , , , , , , , , , , , , , , , , , , , , , , , , )


With all the PVs released this year, there have been some real standouts. We’ve seen some amazing dancing, sad love stories, cuteness and pretty lights. So here is the list of the best PVs released this year.

01. Koda Kumi – TABOO PV

02. Hey! Say! JUMP – 真夜中のシャドーボーイ PV

03. Koda Kumi – Under PV

04. Suzuki Ami – ONE PV

05. Perfume – Macaroni PV

06. NEWS – 太陽のナミダ PV

07. Hey! Say! JUMP – Your Seed PV

08. Ito Yuna – miss you PV

09. Jyongri – Winter Love Story PV

10. Hamasaki Ayumi – (don’t) Leave me alone PV

11. Koda Kumi – anytime PV

12. alan – 空唄 PV

13. Tohoshinki – 呪文-Mirotic- PV

14. alan – RED CLIFF ~心・戦~ PV

15. alan – 風の手紙 PV

16. Koda Kumi – 秘密 PV

17. Hamasaki Ayumi – Marionette PV

18. Koda Kumi – Moon Crying PV

19. Arashi – Beautiful days PV

20. Otsuka Ai – クラゲ, 流れ星 PV

21.Tegomass – アイアイ傘 PV

22. Leah Dizon – Vanilla PV


24. Koda Kumi – 恋の魔法 PV

25. Koda Kumi – 甘い罠 PV

26. Hamasaki Ayumi – Mirrorcle World PV

27. Arashi – One Love PV

28. DOUBLE and Amuro Namie – BLACK DIAMOND PV

29. Amuro Namie – Sexy Girl PV

30. AAA – Crash PV

31. Ishida Yuko – Changes PV

32. Morning Musume – Resonant Blue PV

33. aiko – KissHug PV

34. Tanimura Nana – SEXY SENORITA PV

35. Tanimura Nana – If I’m not the one PV

36. Shiraishi Kikyo – BLACK PV

37. C-ute – 涙の色 PV

38. Tohoshinki – Beautiful you PV

39. alan – 恵みの雨 PV

40. Suzuki Ami – can’t stop the DISCO PV

41. BoA – be with you. PV

42. Nishino Kana – I PV

43. Leah Dizon – Under The Same Sky PV

44. Utada Hikaru – HEART STATION PV

45. Amuro Namie – WHAT A FEELING PV

46. Tohoshinki – Purple Line PV

47. ayaka x Kobukuro – あなたと PV

48. Koda Kumi – MORE PV

49. C-ute – 江戸の手毬唄 PV

50. Koda Kumi – あなたがしてくれたこと PV

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[Part Three] Artist Profiles

December 8, 2008 at 5:01 pm (AAA, aiko, Aira Mitsuki, Aladdin, Amuro Namie, Angela Aki, Aoyama Thelma, Arashiro Beni, ayaka, AZU, BIG BANG, BoA, BONNIE PINK, capsule, Crystal Kay, DOUBLE, Every Little Thing, EXILE, Hamasaki Ayumi, Ishida Yuko, Ito Yuna, Jyongri, Kobukuro, Koda Kumi, Kuraki Mai, Leah Dizon, MEG, melody., Mihimaru GT, Misia, misono, Miyavi, Nakashima Mika, Nishino Kana, Otsuka Ai, Perfume, Seamo, Shimatani Hitomi, Shimizu Shota, Shiraishi Kikyo, Stephanie, Suzuki Ami, Takasugi Satomi, Tanimura Nana, Tiana Xiao, Tohoshinki, Utada Hikaru, WaT) (, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , )

There have been so many artists this year that should be proud for putting out some fantastic music. From the boys to the girls, from the new artists to the veterans, they have made this Oricon Year one of strong music. Today, we’ll explore artists that have released this year (exluding those from Hello Project and Johnny’s Entertainment, who have already been covered).

suzukionecddvdLet’s start things off by covering one of my favorite genres, Japanese electropop. From Perfume to Aira Mitsuki to SAWA, there have been many different styles from electropop that stood out. But there is one producer who is the head of this genre: Nakata Yasutaka. And there is one person who reigns queen of J-Electropop 2008: Suzuki Ami. Nobody brought the heat like Ami. DOLCE was released at the beginning of the year and even though, it didn’t feature Nakata’s touch all over the album, FREE FREE and SUPER MUSIC MAKER were integral parts of that album. Then to commemorate her 10th anniversary, she continued to release. Both singles, ONE and can’t stop the DISCO, got me hooked on her. Even the B-sides,  A token of love and climb up to the top, were extremely impressive and it made me really anticipate Supreme Show. I was definitely not disappointed because tracks like TEN, Mysterious and TRUE are twinkling jewels of the Nakata and Ami team. She brought something new to the electropop scene: sexiness. Let’s face it, electropop is more on the cute and quriky side but it’s nice to see something new and that’s what Ami is. She has her own style that makes her stand out against the other girls of electropop. She did a fantastic job this year and definitely deserves high praise. Perfume, also produced by Nakata, impressed me this year. After releasing a fantastic single, Baby cruising love / マカロニ (マカロニ still holding the title as best electropop slow song), the girls came with GAME. It was a strong album featuring many impressive numbers such as Butterfly and シークレットシークレット which made me really take notice of them. However it was the following singles, which cemented me in fandom. Love the world and Dream Fighter were two excellent singles that really have me anticipating another album from them. They gamedefinitely bring that electropop flavor well. Aira Mitsuki also had some memorable tracks come through to make me a fan of hers. Swallowtail D.A.N.C.E. (Cherryboy Function Version), Beep Count Fantastic (featuring Terukado), チャイナ・ディスコティカ and Rock n’ Roll Is Dead are all addictive tracks and she has a habit of getting the best tracks with a focus on instrumentation rather than vocals. With these kind of tracks, it’s no wonder that she stands out in the electropop crowd. I know MEG isn’t the most popular product of Nakata’s work but she has gotten some standout songs like SUPERSONIC, MAKE LOVE and the amazingly fantastic NATALIE <FM 16 MIX.> That last song is one of my favorite electropop songs ever so it’s clear she can bring the magic. Although Nakata is the king producer of electropop, his group capsule wasn’t as strong as I was hoping for. There were some standout numbers on their new album, More! More! More! such as Phantom and e.d.i.t. but overall, they were definitely not the strongest electropop members. Electropop certainly stood out this year and with the growing popularity of Nakata, I look forward to seeing what he brings us in 2009 (particularly for Ami and Perfume).

kikyo_shiraishi1Let’s move onto J-Urban. The J-Urban scene has been pretty quiet this year with certain acts like EMYLI and m-flo not releasing anything but we did have some nice new songs. Newcomer, Shiraishi Kikyo, made waves with me. Both BLACK and again really hooked me because a new talented girl who was doing something upbeat with that sexy vibe was coming through. I thought she did a very good job and she should certainly be proud. Her third single was a little on the bland side but her fourth is already a step up. I’m not exactly sure why she’s changed to Nori Shiraishi but honestly, I think it’s kind of funny. I guess we’ll see what that does for her. Somehow, I still haven’t heard the full version of again and I don’t think a full PV was ever released (that’s nice guys…). I look foward to seeing what she’ll do in the future. DOUBLE stood out to me because she collaborated with superstar Amuro Namie for the sleek and catchy, BLACK DIAMOND. These two girls brought the heat on this new track and definitely set me up to see what she is going to do next. We also saw the Aoyama Thelma achieve massive success with second single, そばにいるね featuring Soulja (to my surprise and confusion). However it was her 4th single 守りたいもの (plus amazing B-side, MADONNA), which caught my attention. I know Thelma can make some very good songs but I’m hoping that her music will be more diverse in 2009 (how about some more upbeat numbers Thelma?). Crystal Kay had some enjoyable songs too as she released another album (Color Change!) and two singles (涙のさきに and ONE). 涙のさきに was pretty catchy and some of the songs on Color Change! were nice but I’m hoping next year, the music will be even better.

Now let’s talk about the boys of J-Pop (not including JE boys). It was obvious from the start that Tohoshinki would be tohothe real standout guys of the year. They’ve released so much material that it’s ridiculous. They’ve released a total of 9 singles and an album (also a Korean album) so they’ve been really busy. How did they reach such a high number of singles? The TRICK project. The song TRICK from their album T wsa a mashup of five different songs and so the group released those five seperate songs as singles and added their own solo number as well. Some went very well (If…?! / Rainy Night [Junsu] and Runaway / My Girlfriend [Yuchun]) while some fell flat (Two hearts / WILD SOUL [Changmin]). Overall though it was an enjoyable project. In addition to those 5 singles, four others were released: Purple Line, Beautiful you /千年恋歌‎‎,  どうして君を好きになってしまったんだろう? and 呪文 -Mirotic.- That last single was amazing as was Purple Line so the boys should be very proud. The other two were okay and could have been stronger but hey, they can’t all be hits. Their 3rd Japanese album, T, also featured some great songs like CLAP! and LAST ANGEL -Tohoshinki Version.- These boys did a fantastic job this year and I can only anticipate what they’ll pull next year. Their next single, Bolero, has already been announced for a January release. Jaejong and Yuhno also really caught my eye because they were absolutely sexy during the Mirotic promotional time. It was…wow. Just look at the Mirotic and Wrong Number PVs. Another group of guys who stood out this year was EXILE, who released quite a bit themselves: three singles, three BEST albums and one studio album (released at the very end of 2007 but  believe it is counted in Oricon Year 2008). The singles weren’t as great as I hoped for but the album material was enjoyable from EXILE LOVE. The one amazing jaestandout track was Make Love, a hot and sexy number that really shows the boys’ mature side strongly. Atsushi has some wonderful vocals so I’m happy that he’s been given the chance to shine. Newcomer Shimizu Shota also made waves with me as he was a fresh new face with some great vocals (i.e. HOME). He released an album and even though I haven’t gotten a chance to listen to it, I will do so soon. It also doesn’t hurt that he’s good looking. BIG BANG was quite active this year, releasing in both Korea and Japan. G-Dragon has become one of my favorites because there’s something about his voice that really catches my ear. WaT released two singles this year and they were okay, nothing that really made me go wow but I still think they have some nice voices and hopefully the music will be stronger in the future. Although Kobukuro have not been very active this year, they did release the single あなたと with ayaka, which really stood out to me. I look forward to seeing more material from these guys in the future. In the world of J-Rock, Miyavi and Gackt did some releasing although Gackt wasn’t particularly impressive this year in terms of music (but he did look hot). Miyavi was a little better, releasing his album This Iz The Japanese Kabuki Rock. His voice is nice though so maybe he’ll do something stronger in the future. Seamo also caught my eye even though his singles were a little bit iffy. Again, he released an album that I haven’t listened to yet but I do want to hear it soon. So overall, the boys had some nice music (particularly Tohoshinki) and I hope next year it will be even better (because let’s face it, Johnny’s Entertainment music was a lot better than the other guys’ music).

kingdom1Now we go to the four female artists who I call my Fabulous Four: Koda Kumi, Amuro Namie, Utada Hikaru and Hamasaki Ayumi. There is absolutely nobody like Kuu. She’s fun; she’s free and she’s one of a kind. Kingdom was a fantastic album, filled with everything from sorrow to cuteness to sexy and it really showed how strong of an artist she is. Unfortunately, she made a comment about women’s rotting amniotic fluids which caused an extreme backlash. Contracts were cancelled and promotion for Kingdom was cancelled. Personally, I think the public over-reacted to the comment and it was totally undeserved for Kumi to go through all of that. But she continued to release in June with MOON, then TABOO. TABOO was just the song that make the public go Kumi crazy because it’s a return to her fun sexy dance side that we all love. stay with me will be released in a couple weeks (which will be counted on Oricon Year 2009 so I will not talk about that). I think she’s done a great job this year and I think next year will be even better. TRICK will be amazing and I know that from the bottom of my heart. Amuro Namie has had one hell of a year and everyone knows it. BEST FICTION was a smash hit, managing to almost take the crown of best selling album of Oricon Year 2008. Sadly it did not reach it but it’s okay because it was a million seller and it managed to stay at the number 1 spot for various weeks. Sexy Girl and Do Me More were amazing new tracks that made BEST FICTION worth checking out. She also released the hit single 60s70s80s, which achieved great sales, managing to outsell a slew of her previous ones. WHAT A FEELING was the star track on that single and it’s another one of Namie’s awesome tracks. I hope we’ll be getting some new material in 2009 but Namie deserves a nice long break so I hope she gets it. Utada Hikaru also had an amazing year seeing as HEART STATION is nearing the million mark and has outsold her previous album, ULTRA BLUE. There were some amazing new tracks on there like 虹色バス and Fight The Blues. The singleswere strong as well, which made me one of the most cohesive albums of 2008. Hamasaki Ayumi had a pretty good year herself even though she didn’t get wonderful sales. In fact, GUILTY became donther first album to not hit the number one spot…ever. Nonetheless, the album was good featuring tracks like (don’t)Leave me alone, Marionette and MY ALL. Well this was Ayu’s 10th anniversary so I was hoping she’d release a little more but what we got was Mirrorcle World and another BEST album. Her new single is set to be released very soon but it will count towards Oricon Year 2009. I wonder when we’ll be getting her new album but hopefully there will be a few more singles before that. Of course, she’s had her troubles during the year too. She officially announced that she is deaf in one ear; she broke up with her boyfriend who she has been seeing for a while and her friend passed away. You know, Ayu is a fighter and it’s one of the reasons why I respect her so much. I hope she has many years of happiness to look forward to.

So let’s move onto the female veterans of J-Pop. Well the term “veterans” can be disputed but I’m coining the girls that have been a while as “veterans.” Which veteran knocked it out of the park this year? Well that’s none other than aiko. 秘密 was one of the strongest albums of the year with many wonderful tracks that showed off aiko’s laidback and relaxing style. She also released KissHug, which was used as an insert song for the Hana Yori Dango movie. It didn’t aikoget the sales it deserved but I’m hoping she’ll have even more success in the future because her music is that good. Her talent is undeniable and that’s why she is “Veteran of the Year.” Kuraki Mai is incredible and if you want proof of that, just look at 24 Xmas Time. That was a fantastic wintery song that reached back to her old style. She released ONE LIFE, an album with some standout tracks such as ONE LIFE and Born to be free. She also released the following singles: 夢が咲く春 / You and Music and Dream as well as 一秒ごとに Love for you. They may not have been the strongest singles she’s released but they were actually pretty catchy. Mai will be releasing yet another album, entitled touch Me! in January so I can’t wait to see what she brings. Misia was another veteran who stood out this year. EIGHTH WORLD was a pretty good songs like 以心伝心 and Hybrid Breaks -Interlude.- She released various singles but none so addictive as digital release, Catch The Rainbow. It’s an absolutely fantastic track that will be seeing a physical release soon. Misia, good job this year for your 10th anniversary and I can’t wait to see what awaits us in 2009! BoA is definitely a force to be reckoned with. THE FACE was released early in the year and featured some new standout tracks like Girl In The Mirror, Style and AGGRESSIVE. Although it wasn’t as strong as her previous albums. She then released VIVID, which also was not up to BoA’s usual standards. However what makes her so strong is that she always tries new things. She’s mainow started her American career with the release of the hot single, Eat You Up. Her new song, Look Who’s Talking is even better and it makes me highly anticipate her debut album. Otsuka Ai did some nice releases as well. Even though ロケット スニーカー / One × Time was very forgettable (it ended up being the lowest selling single of her career for a reason), クラゲ, 流れ星 was a step up and already she’s set to release her 5th studio album, LOVE LETTER. It looks to be better than LOVE PIECE but I guess we’ll see when hits stores very very soon. Even though BONNIE PINK was largely inactive this year, she did stand out with the digital release of Ring A Bell and then physical release of its Japanese counterpart 鐘を鳴らして. Both songs were good (the English being the stronger version) and BONNIE should be proud of her accomplishments. I’m hoping she’ll put out an album next year because it feels like forever since Thinking Out Loud was released. Finally we come to Shimatani Hitomi, who could’ve been better. Her new album Flare did not live up to the hotness of its name but I’m hoping that next year, she will pull out the stops for her 10th anniversary.

Now we’ll talk about the newbies. These girls are still relatively new to the music scene but some of them have definitely taken no time in standing out from the crowd. Tanimura Nana has given us some fantastic music. Who could forget the incredibly addictive SEXY SENORITA or the smooth and sultry Ooh… or the catchy upbeat number nana3Place of Love? She’s taking on the sexy image just right and with each release, she gets better and better. I’m really looking forward to her debut album and I hope that it will be coming soon because I can’t wait any longer. Actually any new release from her will be welcome. It’s been a while. ayaka released her sophomore album, Sing to the Sky, early in the year and it was a huge step up from First Message. Songs like 愛も嘘も真実, ゴールドスター and POWER OF MUSIC really made a fan of hers. Her voice is incredible so it’s no wonder that the album shined like it did. ayaka definitely has the power to make it big so I wish her all the success in the world. In addition to an awesome album, she collaborated with Kobukuro again for あなたと, a beautiful ballad that blows their last single out of the water. She’s had a great year and definitely will be shining even more brightly in 2009. Leah Dizon certainly had an eventful year. She released two singles, her sophomore album, got married and is expecting a child in 2009. Love Paradox was her strongest single to date and Vanilla (LOVE SWEET CANDY included) was another memorable single from her. Communication!!! was also a pretty good album with great album tracks like Nothin’ to Lose, Step into my World and BxKxRxxx. I was very surprised to see that she was pregnant but I’m happy that she has found somebody and I wish them all the happiness together. I also wish they have a happy and healthy baby and she will be back better than ever next year, ready to show Japan just how strong of an artist she is. Ito Yuna has really impressed me this year, particularly with miss you and 恋は groovy x2. BREEEEEZIN!!!!!!! (the B-side of miss you) is her best song to date and one that definitely cemented my fandom. WISH wasn’t a bad album either, featuring some memorable songs like Power of Love. Hopefully her next album will be even better, shining strongly for all the fans. Even Jyongri had her time to shine with Winter Love Story, her newest single. All the songs on the single convinced me of Jyongri’s power. Her album may have been pretty weak but it looks like she’ll be on the path for strength. One other newcomer that caught my eye was Ishida Yuko with her wonderful new single Changes, which featured an addictive title track, I’ll be sure to look out for her in the future. She has a cool image and a great voice, worthy of celebration. AZU has had her time to shine as well with standout numbers like VIOLIN. She has the voice and talent to make it far so I hope she has more succes in 2009.  Other newcomers like Tiana Xiao, Nishino Kana and Takasugi Satomi have had some nice releases and even though they were not particularly engaging, I look forward to what they will do next year. Even Stephanie had some songs here and there.

Let’s go onto the girls who are neither veterans nor newbies. melody. has also done some nice work this year with the release of the beautiful andaaa calming Lei Aloha. The songs on that album really formed a cohesive one that emerged as one of the standouts of the year. I’m very sad to have heard the news that she will be retiring to focus on the fashion industry. I guess if she had to leave, I’m glad she left with a bang. Arashiro Beni has experienced some popularity this year with her collaboration with Dohzi-T. She also released three new songs for her BEST album, switched labels and starrred in a movie so she’s been quite busy. Mellow Parade was fantastic and hopefully she’ll do another song like this in the future. She has recently changed her name to BENI so I guess we’ll see how that goes for her. Other girls like Angela Aki, Nakashima Mika and misono have had their releases this year and it’s Mika who really impressed me with her most recent single, ORION. The B-side, FOCUS, stood out to me strongly and I have really got to listen to her new album.

Finally, we come to the groups which feature members of both sexes. To be honest, they haven’t been very impressive with the exception of one group: AAA. MIRAGE was absolutely addictive, featuring some Arabian sounds to push the track over the edge. Everyone sounded great on the track and it was really one to remember. Following a very unforgettable single, they released MUSIC!!! / ZERO. ZERO was wonderful, showing a dark atmosphere that the group really shined with. Other groups mihimaru GT, Aladdin and Every Little Thing failed to impress but hopefully they’ll step it up next year.

This year, some artists stepped up and some artists took a step back. But there are a lot of artists who should be proud for releasing such quality music. There is still one artist left though, an artist who will be crowned “Artist of the Year.” He/She will be announced in part 7 (the final part) of the Oricon Year 2008 Countdown.

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aiko – KissHug [24th Single]

July 24, 2008 at 12:26 am (aiko) (, )

aiko’s 24th single, entitled KissHug, was released on 07.23.08. The A-side was used as an insert song for the Hana Yori Dango movie.

KissHug is a sweet ballad that aiko brings to life. The song begins with a very pretty instrumental that takes the listener into the world of the song. The first verse starts and aiko’s vocals sound very sweet here, capturing the song’s atmosphere perfectly. The chorus stands out as aiko begins to show a little more vocal power and the instrumentation becomes more varied, showing off some nice light rock flares. The listener really does fall in love during the pure instrumental section, spotlighting how pretty and enjoyable the music really is. aiko’s final note sounds beautiful as it held strongly and then pure instrumentation brings the song to a close. KissHug is another great song from aiko that resonates with the listener strongly as they follow the song from start to finish.

The first B-side is 線香花火. The song starts off with a dreamy instrumental that really hooks the listener from first listen and soon the chorus starts. Her vocals sound perfect with the music and she sings with a certain rapidity that stands out to the listener very nicely. Soon the instrumentation becomes more varied with the guitar standing out more a more energy coming through. The song closes much like it began with the sweet and lulling instrumental, making 線香花火 an enjoyable song from start to finish.

水とシャンパン。is the second B-side. The song starts off with a midtempo instrumental with the piano as the focus and then the first verse begins. There is something simple but really sweet and enjoyable about the music and that simplicity really compliments aiko’s vocals. The chorus stands out as aiko gives out a little more vocal strength. Although pretty simple, aiko sounds very comfortable on it and it catches the listener’s attention well.

In order to promote the single, a PV for KissHug was made. The video is very simple as it follows aiko as she takes a ride and there is a personal feeling that arises from watching it that it doesn’t feel boring at all. At the end, she comes to meet her band as they perform the song.

Single Ranking: A –

aiko’s 24th single features three songs that show aiko’s wonderful vocals. KissHug is a great ballad that aiko brings to life strongly. 線香花火 is a very enjoyable number, picking up the energy a little more and standing out to the listener strongly. 水とシャンパン。is a nice and simple song that the listener just connects to from the moment the song opens. Overall, it’s a solid single from aiko and certainly worth checking out.

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aiko – 秘密 [8th Studio Album]

April 13, 2008 at 6:00 pm (aiko) (, )


aiko’s eighth studio album, 秘密, was released on 04.02.08. The album’s theme is clear from the title and when interviewed, aiko stated that she felt as if she released a secret on each song, showing the personal conection she has this album. Three singles were released previous to the album release: シアワセ, 星のない世界/ 横顔 and 二人.

The album begins with You & Me both, an enjoyable spring-like track. The song begins with an uptempo piano introduction and soon the true instrumentation comes in. There is a blaring of sounds for a moment and then the first verse arrives with an instrumentation consisting of a guitar and piano, which mesh well with aiko’s voice. While the verse begins slow, the chorus brings in more instruments to make it pop and more exciting. aiko shows off her vocal prowess as she effortlessly holds the final note in one of the choruses. The song ends nicely with instrumentation to bring the song to a great close. You & Me both is truly a strong way to introduce the album.

二人, the third single released before the album, follows You & Me both. The song starts off with a soft sound with rock influences that slowly builds up to bring in more of a pop flavor. When the first verse starts, the instruments are pushed to the back to focus on aiko’s vocals and only the strumming of the guitar is heard when she finishes a line. The chorus is poppy and enjoyable as aiko’s vocals mesh well with the music. Overall the song is a nice poppish song with rock flavor that sounds great in accompaniment with aiko’s voice.

学校, a fun and jazzy song, is the third track. The song begins with a very poppy instrumental that is reminiscent of an older style of music that seems to call on a jazzy atmosphere and the modernization comes in with the introduction of other instruments. The first verse features some very relaxing and nice vocals and the hook continues these vocals but sound even better with the slightly different instruments. The chorus is really nice and it shows off aiko’s vocal abilities as she sustains the notes flawlessly. The pure instrumentation section really highlights the jazzy qualities of the song and it sounds great. 学校 is a nice fun song that has a summer feel to it and it finds its home on this album.

Next is キョウモハレ, a wonderful uptempo track. The song begins with a slow gorgeous instrumentation and slightly builds up by the first verse. aiko’s vocals work so well with the music that it comes across perfectly and the emotional presence is clear. She holds the note before the chorus very strongly and shows off her power as a vocalist. The chorus sounds great and although aiko delivers the lines somewhat rapidly, she still makes it sound personal and beautiful. The pure instrumental section highlights the relaxing beauty of the instrumentation. The song ends as strongly as it began, making this song a definite one to remember from this album.

横顔 was one of the two tracks released as a double A-side single before the album. The track begins with an uptempo sound filled with the imagery of hope. The first verse begins and aiko’s vocals blend well with the music and the combination of the two makes for a great summer sound. The chorus stands out for the slight change in the instrumentation and aiko’s vocals still sound great on the song. 横顔 is an enjoyable summer-filled song that captures the season’s essence well with a strong instrumental and great vocals from aiko.

The album’s title track, 秘密, was actually not planned for the original release of the album. However during the process, aiko decided it would be a good fit. The song begins with beautiful piano playing that slowly builds up until aiko’s vocals come in. Her vocals support the music well and keep in perfect harmony with the atmosphere. The new instruments introduced in the chorus and continued in the chorus, make both pop [especially the chorus] and aiko’s vocals sound great here. The decision to include the album was strong since it’s one of the album’s strongest tracks. 秘密 serves as a perfect title-track and it’s definitely a wonderful song to listen to.

ハルとアキ follows the title track as the seventh track. The beginning is so smooth and relaxing with the beat standing out through the instrumentation. aiko’s vocals come in and sound great with the overall feel firstly presented. Soon the instruments come to play a bigger role particularly in the chorus and aiko sounds so at home with the sound. Her vocals are strong but controlled and follow the arrangement of the song by emphasixing certain notes when the music comes to a climax. The pure instrumental section is genius as it spotlights all the instruments that are somewhat pushed to the background throughout the rest of the song. Her ending ad-libs sound great and work well within the context of the song. ハルとアキ is definitely a memorable track that stands out.

Following is 星電話, clearly one of the strongest songs on the entire album. The song opens up with a short but wonderful piano interlude before going into the first verse. The arrangement of the song is interesting is it begins with a soft and sweet sound and then from nowhere, an upbeat sound with slight rock influences is introduced. aiko’s vocals on this song sound great as always and support the music perfectly. The chorus easily stands out the most from this song and aiko’s vocals really show her range as she hits the higher notes with such ease. The section featuring pure instrumentation is such bliss on this song and it highlights the creativity of the track. 星電話 is very enjoyable and is one of aiko’s best efforts.

恋道 is the ninth song on the album. After nice and poppy instrumentation, which also seems to draw on some older music influences, the first verse comes. aiko sounds completely in her element as she sings alongside the music. The chorus is very nice and features some pretty good vocals as well as a cool instrumentation. Overall it’s a nice song although it isn’t as strong as some of the other tracks on the album.

The tenth song is 星のない世界, from the double A-side single released before the album. The song starts off strongly with the instrumentation and there is a very smooth transition into the first verse, which features some controlled but strong vocals from aiko. The first note of the chorus is held out well as are various other notes during the chorus. The song is definitely enjoyable and keeps a consistent sound that the album has.

The first song released as a single for this album’s era is the eleventh track シアワセ. Opening up with a light and springy instrumentation, a peaceful atmosphere is established from the very beginning. The first verse features some consistently great vocals from aiko that work with the music to make an enjoyable listen. The chorus is memorable for its slight change in instrumentation and the delivery of the lines, which are a bit rapid at points and her voice highlights certain notes that the instrumentation does as well. The song is definitely a great start for the album era and it hasn’t lost its touch on the album.

The penultimate song is ウミウサギ. The soft sounds of the piano open up the song and once aiko’s vocals begin the first verse, it sounds as if she’s slightly toning down the vocals to fit with the music. In this case, it was a good move since it supports the music well. However her vocal power is displayed yet again as she sings the chorus strongly and with emotion. In fact, there is even the sound of what appears to be her taking a slight breath after one of the vocals, which really brings home the personal touch. Following is a nice pure instrumental section that showcases the instrumentation. The final note that she holds truly is incredible as it shows she can really draw out certain notes for emphasis. The track is a good penultimate track and sets up the last track to really shine.

約束 is the finishing song of the album. The song opens up quickly with vocals as aiko effortlessly sings her way through. Soon the instrumentation is highlighted before going into the first verse. aiko sounds perfectly at home on the song with good vocals and a nice instrumentation. The song is nice but it may not have been the perfect song to end the album with. However, it does bring the album to a nice finish and maintains the atmosphere of the album.

Album Ranking: A

aiko’s eighth studio album, 秘密,  is definitely a personal and relaxing album. The album is cohesive in terms of its sound but is able to maintain a certain level of diversity. From the strong single tracks such as シアワセ,  星のない世界 and 横顔 to some powerful album tracks such as 星電話 and the title track, 秘密. All the work aiko put into this album definitely shines through crystal clear.

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